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DIGITAL COLLAGE AND PAINTING

USING PHOTOSHOP AND PAINTER TO CREATE FINE ART

9780240811758 ::  DIGITAL COLLAGE AND PAINTING
ISBN:

9780240811758

EditorialTAYLOR & FRANCIS GROUP
Edicion:
Páginas:600
Ilustraciones:946
Idioma:INGLES
P.V.P.: 49,62 € + 4% IVA = 51,60 €
Dto 5% Ahorras 2,58 €
Importe final iva incl. 49,02 €
PLAZO DE ENTREGA 20 DIAS

IF YOU ALREADY KNOW YOUR WAY AROUND PHOTOSHOP AND PAINTER AND WANT TO USE THESE AMAZING PROGRAMS TO TAKE YOUR SKILLS FURTHER, THIS BOOK IS FOR YOU! MUCH MORE THAN A SIMPLE "HOW-TO" GUIDE, SUSAN RUDDICK BLOOM TAKES YOU ON A FULL-FLEDGED JOURNEY OF THE IMAGINATION AND SHOWS YOU HOW TO CREATE INCREDIBLE WORKS OF FINE ART. SUPPLEMENTED BY THE WORK OF 20+ WORLD RENOWNED ARTISTS IN ADDITION TO SUE'S OWN MASTERPIECES, YOU'LL LEARN HOW TO CREATE WATERCOLORS, BLACK AND WHITE PENCIL SKETCHES, TEXTURE COLLAGES, STUNNING REALISTIC AND FANTASTICAL COLLAGES, AND SO MUCH MORE, ALL FROM YOUR ORIGINAL PHOTOGRAPHS. IF YOU ARE EAGER TO DIVE INTO THE WORLD OF DIGITAL ART BUT NEED A REFRESHER ON THE BASICS, FLIP TO SUE'S ESSENTIAL TECHNIQUES CHAPTER TO BRUSH UP ON YOUR PHOTOSHOP AND PAINTER SKILLS, AND YOU'LL BE ON YOUR WAY IN NO TIME. WHETHER YOU'RE A NOVICE OR AN ESTABLISHED DIGITAL ARTIST, YOU'LL FIND MORE CREATIVE IDEAS IN THIS BOOK THAN YOU COULD EVER IMAGINE. FULLY UPDATED FOR NEW VERSIONS OF PAINTER AND PHOTOSHOP AND INCLUDING BRAND NEW WORK FROM CONTEMPORARY ARTISTS, DIGITAL COLLAGE AND PAINTING PROVIDES ALL THE INSPIRATION YOU NEED TO BRING YOUR ARTISTIC VISION TO LIGHT.

<P>CONTENTS</P><P>DEDICATION IX</P><P>PART I PLANNING AND INSPIRATION</P><P>CHAPTER ONE CONCEPT </P><P>WHAT IS A COLLAGE, MONTAGE, OR ASSEMBLAGE? </P><P>WHAT IS A DIGITAL PAINTING? </P><P>THINK IT OUT FIRST, ASSEMBLING THE NEEDED IMAGES </P><P>ARE YOU DROWNING IN DIGITAL FILES? </P><P>WHAT IS THE INTENDED OUTPUT SIZE? </P><P>CHAPTER TWO IMPORTANT CONSIDERATIONS BEFORE YOU BEGIN </P><P>UNIFYING FACTORS </P><P>TEXTURE </P><P>COLOR </P><P>CONTRAST </P><P>NOISE AND GRAIN </P><P>SCALE </P><P>TREE HOUSE EXERCISE </P><P>ROTATING, DISTORTING, AND TRANSFORMING </P><P>LIGHTING </P><P>DIRECTIONALITY OF LIGHT </P><P>QUALITY OF LIGHT </P><P>DRAMATIC VS. SUBTLE </P><P>PROJECTS: PLACES THAT NEVER WERE </P><P>AUSTRALIAN BOULDER </P><P>HAWAIIAN WATERFALL </P><P>MENACE IN VENICE </P><P>CHAPTER THREE INSPIRATION </P><P>DIGITAL ARTISTS AND THEIR WORK </P><P>DOROTHY SIMPSON KRAUSE </P><P>SUSI LAWSON </P><P>MARY L. TAYLOR </P><P>ERIC SCALA </P><P>JOHN DERRY </P><P>THERESA AIREY </P><P>MARTIN ADDISON </P><P>ALEXANDER KRUGLOV (SHURELO) </P><P>AD VAN BOKHOVEN </P><P>KARIN SCHMINKE </P><P>TONY SWEET </P><P>JASON SEILER </P><P>HUNTINGTON WITHERILL </P><P>CYNTHIA BRODY AND THOMAS MORRIS </P><P>MIKE THOMPSON </P><P>ALEX JANSSON </P><P>BRUNO MALLART </P><P>CLIFF CRAMP </P><P>CLAUDIA SALGUERO </P><P>JANET STOPPEE </P><P>PART II STEP-BY-STEP PAINTING</P><P>CHAPTER FOUR PAINTING IN PHOTOSHOP WITH YOUR PHOTOS </P><P>HOW TO USE PHOTOSHOP FILTERS AND THE HISTORY BRUSH TO CREATE A DIGITAL PAINTING </P><P>USING THE ART HISTORY BRUSH TO CREATE A DIGITAL PAINTING </P><P>USING THE PATTERN STAMP TO CREATE A DIGITAL PAINTING </P><P>USING THE ART HISTORY BRUSH AND EMBOSS FILTER TO CREATE A TEXTURED DIGITAL PAINTING </P><P>PHOTO ILLUSTRATION USING THE FIND EDGES FILTER </P><P>A GLORIOUS USE FOR THE GLOWING EDGES FILTER AS AN OIL PAINTING TOOL </P><P>EDGE EFFECTS FOR FREE! </P><P>SCANNER EDGE EFFECTS </P><P>FILM/PHOTO EDGE EFFECTS </P><P>NEW PHOTOSHOP MIXER BRUSH</P><P>USING JOHN DERRY'S THIRD-PARTY BRUSHES</P><P>CHAPTER FIVE PAINTING IN PAINTER </P><P>SIMPLE CLONING TECHNIQUES </P><P>IMPRESSIONIST CLONER </P><P>PASTEL CLONING </P><P>OIL PAINT CLONING </P><P>MORE OIL PAINTING </P><P>BRISTLE OIL CLONER </P><P>COMBINING A VARIETY OF MEDIUMS INTO ONE PAINTING </P><P>ADDING TEXTURE TO YOUR PAINTING </P><P>OLD MASTERS INSPIRATION </P><P>PHOTO ILLUSTRATION </P><P>PHOTOCOPY-INSPIRED PAINTING </P><P>AUTO PAINTING - PAINTING IN A HURRY </P><P>SMART STROKE PAINTING </P><P>MAKE VIRTUALLY ANY BRUSH A CLONER </P><P>ILLUSTRATIVE SKETCH TECHNIQUE </P><P>PAINTING APPROACH WITH BLENDERS </P><P>EDGES AND CLONING </P><P>PAINTERLY EDGE EFFECTS </P><P>CHAPTER SIX ASSEMBLING A COLLAGE IN PHOTOSHOP </P><P>MY SCANNER IS A CAMERA </P><P>SIMPLE CLONING TECHNIQUES </P><P>SIMPLE COLLAGES </P><P>COLLAGE WITH LIGHTING EFFECT </P><P>SUSPEND TRUE SCALE </P><P>THEMED COLLAGES </P><P>SUSPEND REALITY </P><P>PILE ON THE LAYERS </P><P>COMBINING DIVERSE OBJECTS WITH BLENDING MODES </P><P>SHADOW POWER </P><P>GRIDDED COLLAGES </P><P>COLLAGE POSSIBILITIES FOR WEDDING PHOTOGRAPHY </P><P>LOOK TO HISTORY </P><P>SIMPLE KALEIDOSCOPE COLLAGE </P><P>GRADIENT TOOL FOR SMOOTH BLENDING </P><P>ALLOW YOURSELF TO BE FLEXIBLE IN THE CREATIVE PROCESS </P><P>CHAPTER SEVEN ASSEMBLING A COLLAGE IN PAINTER </P><P>USING PAINTER'S IMAGE HOSE </P><P>USING PAINTER'S UNIQUE BRUSHES FOR TEXTURE IN A COLLAGE </P><P>USING COLORED PAPER AND LIGHTING EFFECTS </P><P>COMBINING THE POWER OF PAINTER AND PHOTOSHOP IN A COLLAGE </P><P>CHAPTER EIGHT THE PARADOX: THE ABSOLUTE TRUTH AND THE EXQUISITE LIE-CREATING A PANORAMA IN PHOTOSHOP </P><P>CONCEPT AND PREPARATION </P><P>EXPOSURE CONTROLS, PROPER OVERLAP, TRIPOD OR NOT? </P><P>RELYING ON LAYER TRANSPARENCY AND LAYER MASKING </P><P>STEP-BY-STEP PANORAMA INSTRUCTIONS USING COLLAGING TECHNIQUES </P><P>"GRAB SHOT" PANORAMAS </P><P>FAUX PANORAMAS </P><P>THEMED PANORAMA-STYLE LINEAR COLLAGES </P><P>MIRROR-IMAGES IN PANORAMIC FORMAT </P><P>HURRY-UP PANORAMAS-USING PHOTOSHOP'S PHOTOMERGE </P><P>AUTO-ALIGN AND AUTO-BLEND </P><P>PRINTING PANORAMAS </P><P>FRACTURED PANORAMAS </P><P>PRECISION ORIENTED PANORAMICS </P><P>AUTO PAN </P><P>GIGAPAN </P><P>PANO SWEEP TECHNOLOGY </P><P>PART III ARTISTIC CONSIDERATIONS</P><P>CHAPTER NINE FILTERS </P><P>USING ALL THE GREAT FILTERS AVAILABLE IN PHOTOSHOP </P><P>FAVORITE PHOTOSHOP FILTERS </P><P>FIND EDGES </P><P>ISOLATE AND BLUR </P><P>PHOTOSHOP PHOTO FILTERS </P><P>MOTION BLUR </P><P>CREATING A BLACK AND WHITE PENCIL SKETCH EFFECT USING FILTERS </P><P>SIMILAR EFFECTS IN PHOTOSHOP AND PAINTER </P><P>THIRD-PARTY FILTER PLUG-INS </P><P>NIK COLOR EFEX PRO FILTERS </P><P>APPLYING FILTERS SELECTIVELY </P><P>LUCIS PRO 6 </P><P>CRAIG'S ACTIONS </P><P>TOTALLY RAD ACTION MIX </P><P>COMBINING FILTERS AND ACTIONS </P><P>TOPAZ FILTERS: ADJUST 3, SIMPLIFY, CLEAN 2 </P><P>TOTALLY RAD DIRTY PICTURES </P><P>ALIEN SKIN'S SNAP ART </P><P>BOKEH </P><P>EXPOSURE 3 </P><P>CHAPTER TEN EXPERIMENTATION </P><P>COMBINING TRADITIONAL MEDIA WITH DIGITAL </P><P>PRINTMAKING: WOODCUTS, INTAGLIO AND LITHOGRAPHY, AND SILK-SCREENING </P><P>OVERPRINTING AND COLLAGING </P><P>ENCAUSTICS </P><P>LAZERTRAN ONTO MARBLE, GLASS, TILE, FABRIC, AND SILK </P><P>INKAID-MAKING YOUR OWN INKJET PAPER </P><P>JAPANESE INKJET COATED PAPERS </P><P>THINKING CREATIVELY: PAINT IT, DRAW OH IT, TEAR IT, GLUE IT, AND MORE </P><P>COMBINING DRAWING AND PHOTOGRAPHY </P><P>PHOTOTEX </P><P>CREATIVE USE OF PAPERS FOR ALBUMS </P><P>IPHOTO BOOKS </P><P>EPSON STORY TELLER PHOTO BOOK CREATOR KITS </P><P>KOLO ALBUMS </P><P>BLURB BOOKS </P><P>ART LEATHER BOOKS </P><P>HP PHOTO BOOK </P><P>OTHER ALBUM/BOOK POSSIBILITIES </P><P>CHAPTER ELEVEN PROJECTS FOR YOU </P><P>PROJECT 1: GRIDDED COLLAGE EXERCISE </P><P>PROJECT 2: MASKS AND TRANSPARENCY EXERCISE </P><P>PROJECT 3: PANORAMA EXERCISE </P><P>PROJECT 4: PAINTING IN PHOTOSHOP </P><P>PROJECT 5: PAINTING IN PAINTER </P><P>CHAPTER TWELVE ESSENTIAL PHOTOSHOP AND PAINTER TECHNIQUES TO MASTER </P><P>PHOTOSHOP SELECTION TOOLS </P><P>PHOTOSHOP: TRANSFORMING FOR SCALE </P><P>PHOTOSHOP: LAYER ADJUSTMENTS </P><P>PHOTOSHOP: LAYER MASKS </P><P>PHOTOSHOP: ART HISTORY BRUSH </P><P>BUILD YOUR OWN BRUSH </P><P>PHOTOSHOP: BLENDING MODES </P><P>SCREEN </P><P>MULTIPLY </P><P>COLOR </P><P>OVERLAY </P><P>PHOTOSHOP: USING LAYER ADJUSTMENTS, LAYER MASKS, AND BLENDING MODES TOGETHER </P><P>EDITING YOUR IMAGES: RETOUCHING-COVER-GIRL SKIN, BRIGHTENING TEETH AND EYES </P><P>PAINTER BASIC PAPERS </P><P>PAINTER CLONING BRUSHES </P><P>CLONING WITHOUT A CLONING BRUSH </P><P>CHAPTER THIRTEEN RESOURCES </P><P>SUPPLIERS: EQUIPMENT, SOFTWARE, TOOLS, AND ARTIST MATERIALS </P><P>DIGITAL COLLAGE AND PAINTING WEB SITE </P><P>INDEX </P>

FOTOGRAFIA
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