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APPLIED THEATRE AND SEXUAL HEALTH COMMUNICATION

APERTURES OF POSSIBILITY

9781349959747 ::  APPLIED THEATRE AND SEXUAL HEALTH COMMUNICATION
ISBN:

9781349959747

Colección:CONTEMPORARY PERFORMANCE INTERACTIONS
EditorialSPRINGER NATURE
Edicion:
Idioma:INGLES
P.V.P.: 74,99 € + 4% IVA = 77,99 €
Dto 5% Ahorras 3,90 €
Importe final iva incl. 74,09 €
PLAZO DE ENTREGA 15 DIAS

<P></P><P>THIS BOOK ANALYSES THE PARTNERSHIP BETWEEN APPLIED THEATRE AND SEXUAL HEALTH&NBSP;COMMUNICATION IN A THEATRE-MAKING PROJECT IN NYANGA, A TOWNSHIP IN SOUTH&NBSP;AFRICA. BY EXAMINING THE BRIDGES AND SCHISMS BETWEEN THE TWO FIELDS AS THEY&NBSP;COME TOGETHER IN THE PROJECT, AN ALTERNATIVE WAY OF APPROACHING SEXUAL HEALTH&NBSP;COMMUNICATION IS ADVOCATED. THIS ALTERNATIVE CONSIDERS WHAT IT IS THAT APPLIED&NBSP;THEATRE DOES, AND COULD BECOME, IN THIS CONTEXT. MOMENTS OF VALUE WHICH LIE&NBSP;AROUND THE MARGINS OF THE PRACTICE EMERGE AS OPPORTUNITIES THAT CAN BE&NBSP;OVERLOOKED. THESE SOMEWHAT EPHEMERAL, INTANGIBLE MOMENTS, WHICH APPEAR ON&NBSP;THE EDGES, ARE DESCRIBED AS ‘APERTURES OF POSSIBILITY’ AND OCCUR WHEN ONE TAKES A&NBSP;STEP BACK AND REALISES SOMETHING UNNOTICED IN THE MOMENT. THIS BOOK OFFERS AN&NBSP;INVITATION TO PAUSE AND NOTICE THE SEEMINGLY INSIGNIFICANT MOMENTS THAT OFTEN&NBSP;OCCURS TANGENTIALLY TO THE PRACTICE. THE BOOK ALSO CALLS FOR MORE OUTCRY ABOUT&NBSP;SEXUAL HEALTH AND SEXUAL VIOLENCE, ARGUING FOR THEATRE-MAKING AS A ROUTE TO&NBSP;MULTITUDES OF VOICES, NUANCED UNDERSTANDINGS, AND DIVERSE SPACES IN WHICH&NBSP;DISCUSSIONS OF SEXUALITY AND SEXUAL HEALTH ARE SHARED, FELT, AND EXPERIENCED.</P><BR><P></P>

<P><B>1.1 INTRODUCTION</B></P><P>THE DEVELOPMENT AND PRACTICE OF THE OPOS PROJECT</P><P>MY PROFESSIONAL PRACTICE: OVERVIEW</P><P>CONTENTIOUS AND DANGEROUS: THE DIFFICULTY OF TALKING OPENLY ABOUT SEXUAL HEALTH</P><P>THE MORAL PITFALLS OF EFFECTIVENESS: THE IMPACT QUESTION</P>DISRUPTING NOTIONS OF VALUE: A RESPONSIVE, CONSCIOUS RESEARCH APPROACH<P></P><P>HOW TO READ THE BOOK: A SUBTLE <I>SOMETHING</I> IN PRACTICE</P><P><B>&NBSP;</B></P><P><B>PART I: CONTEXT</B></P><P><B>&NBSP;</B></P><P><B>2.1 CHAPTER 1: HIV/AIDS AND THE CHALLENGE FOR SOCIALLY ENGAGED THEATRE-MAKING</B></P><P>SEXUAL HEALTH </P><P>THE GLOBAL HIV CONTEXT WITH A SPECIFIC FOCUS ON THE SOUTH AFRICAN SITUATION</P>PAST INTERVENTIONS<P></P>THE POTENTIAL OF SOCIAL COMMUNICATION AROUND HIV APPLIED THEATRE: THEATRE AND THE SOCIAL <P>MORE THAN TRANSFORMATION: IDENTIFYING THE <I>SOMETHING</I></P><P>JUSTIFICATION ANXIETY . . .</P><P>RECLAIMING AND NAMING OUR OWN VALUES: <I>APERTURES OF POSSIBILITY</I></P>&NBSP;<P></P><P><B>3.1 CHAPTER 2: THE CONTEXT FOR OUR PLACE, OUR STAGE</B></P><P>A LACK OF GOVERNANCE: THE MAIN CHALLENGES FACING SOUTH AFRICA TODAY </P><P>IMPACT ON HEALTH AND POVERTY </P><P>CRIME AND SECURITY</P><P>SOUTH AFRICAN THEATRE</P><P>NYANGA </P><P><I>&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP; WELCOME TO NYANGA </I></P><P><I>&NBSP; NYANGA: A ‘MODEL’ TOWNSHIP? </I><I></I></P><P>ETAFENI</P><P><I>&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP; ENTERING ETAFENI </I></P><P><I>&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP; ETAFENI: ‘AT THE OPEN SPACE’ </I><I></I></P><P>OUR PLACE, OUR STAGE (OPOS) </P><P><I>‘I WAS SO SCARED WHEN HE TOLD ME I HAD A COLD VAGINA’: THE IMPACT OF THE OMNIPRESENT FEAR OF CRIME AND EXPERIENCES OF CRIME</I></P><P><B>&NBSP;</B></P><P><B>PART II: PRACTICE</B></P><P><B>&NBSP;</B></P><P><B>4.1 CHAPTER 3: APPLIED THEATRE: A SPACE ‘SAFE ENOUGH’ TO TAKE RISKS?</B></P>SEX IS ALWAYS ABOUT SPACE: THE CHALLENGE OF MAKING THE IDEA OF SAFE SEX TANGIBLE PLACE – NOT NECESSARILY A ‘SAFE SPACE’ <P><I>&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP;&NBSP; HOME IS NOT A ‘SAFE SPACE’</I></P>MOVING FROM PLACES OF SAFETY TO SPACES OF RESISTANCE DISHARMONY: THE OUTSIDE SPACE TANGIBLE CONNECTIONS IN THE REPRESENTATIONAL SPACES <I>&NBSP; THE FIRST EXERCISE SEQUENCE </I> <I>&NBSP; THE SECOND EXERCISE SEQUENCE </I> <P><B>&NBSP;</B></P><P><B>5.1 CHAPTER 4: ‘IF YOU WANT TO BE SAFE, YOU MUST STAY AT HOME’ - DIALOGICAL SPACES AND REPRESSIVE OUTCOMES </B></P><P><I>BRENDA</I> AND <I>JAVAS</I>: RISKY CHARACTERISATIONS </P><P>THE IMPACT OF PLAYFUL RISK-TAKING </P><P>SETTING UP A DIALOGICAL SPACE: A ‘RISK-SHARING’ COMMUNITY?</P><P>CONTAGION AND DISCIPLINE = A MEANS OF PROTECTION?</P>A MORAL TALE OR AN EXTENSION OF CONTAGION?<P></P><P>TACTICAL ACTION: AN ALTERNATIVE OUTCOME </P><P>THE NUDGE: THE CHALLENGE TO ME AS AN APPLIED THEATRE PRACTITIONER</P><P>&NBSP;</P><P><B>6.1 CHAPTER 5: <I>APERTURES OF POSSIBILITY</I>: A SUBTLE FORM OF RESISTANCE?</B></P><I>SOMETHING</I> MORE SUBTLE THAN EMPOWERMENT? <P>AFFECTIVE, CIRCULATING EMOTIONS </P>PERFORMING MOMENTS OF HOPE<P></P><P>SCRUTINIZING MOMENTS OF HOPE</P>VISCERAL RESPONSES <P>POSTSCRIPT TO THE PROJECTS</P><P>&NBSP;</P><P><B>7.1 CONCLUSION</B></P>MAKING SPACES TOWARD CONCLUSIONS <P></P><P>QUESTIONS OF VALUE</P><P><I>&NBSP;&NBSP;&NBSP;&NBSP; A POINT ON HOPE AND TACTICS</I></P><P>POSTSCRIPT: LOOKING FORWARD AND REVELLING IN A SHARED, FELT HISTORY<B></B></P>

ARTE
MEDICINA PREVENTIVA
SOCIOLOGIA
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